CFTCA Digest: April 2024

Film Reviews

Civil War | Reviewed by Christopher Cross | Read the full review

“…Civil War is very much not interested in war itself. Instead, it shines a spotlight on the documentation of atrocities and the role journalism plays in that process. As a result, it is visceral as the vulnerability of a profession and its professionals comes under fire, literally, and conveys the responsibility and pressure placed upon humanity to account for its own destruction.”

Silvicola | Reviewed by Taylor Beaumont | Read the full review

“…Silvicola is less a probing and argumentative documentary than it is a visual essay or a tone poem, and it’s as committed to its task of illuminating people’s stories as it is to wandering off to take in the scenery.”

The Settlers | Reviewed by Eric Zhu | Read the full review

“…Often shooting with pointedly artificial lighting even as the film is shot on location, Galvez shoots grisly scenes of genocide as if they were works from the great masters (think Washington Crossing the Hudson). The method recalls the likes of Zama and especially Jauja, and Galvez builds on this South American cinematic lineage by confronting colonial mythological imagery with the brutality involved in its creation.”

The Fall Guy | Reviewed by Darren Zakus | Read the full review

The Fall Guy lets off an explosive movie going experience full of breathtaking action sequences and the sensational pairing of Ryan Gosling and Emily Blunt, in David Leitch’s ode to the art of filmmaking and the unsung heroes of the stunt department that kicks off this year’s summer movie season with a bang!”

The Beast | Reviewed by Taylor Baker | Read the full review

“Bonello’s film is slow, it purposefully simmers, and as it does the cinematography masterfully utilizes repetition. His choice to use of dual language in dialogue scenes between his leads feels as fresh as Hamaguchi’s choice to do something similar with Chekhov’s ‘Uncle Vanya’ in Drive My Car.”

Red Rooms | Reviewed by Dakota Arsenault | Read the full review

“Pascal Plante has made a phenomenal film, one that is in the vein of The Girl With The Dragon Tattoo, Zodiac, You Were Never Really Here, Enemy, Wind River and others that are exhilarating to watch, but will crawl into your mind and refuse to leave.”

The Last Year of Darkness | Reviewed by Michael Clawson | Read the full review

“…Swift, lively editing and mobile camerawork throughout this sequence suggests the giddy anticipation of these youth as they await the euphoric thrill of another night dancing in each other’s company. After being swept up in the rush of this intro, I was let down by the documentary’s subsequent lack of focus.”

Television

Doctor Who | Reviewed by Matthew Simpson | Read the full review

“What stands out about these episodes is something this critic, at least, had been missing: they are very silly. Sure, there are scary monsters, but Davies remembers that Doctor Who is ultimately a show for kids, so Gatwa and Gibson run around yelling science fiction nonsense with nothing but big smiles plastered on their faces.”

Fallout | Reviewed by Christopher Cross | Read the full review

“Unfortunately, while Fallout is a generally engaging show, and its world is a lot of fun to explore, it also loses some steam due to its underwhelming central narrative.”

Retrospectives

Seven Samurai at 70 Years

Dakota was joined by Brian Loomis on an episode of the Contra Zoom podcast for a discussion of Kurosawa’s seminal samurai epic.

Best Films of 2023

On this two-part installment of the Contra Zoom podcast, Dakota and Rachel count down their favorite films of 2023. Along the way, they get plenty of help from friends of the show who sent in voicemails of their pick for their number one movie. Listen to both parts of the conversation here.

Interviews

Filmmaker Jules Koostachin on Indigenous Generational Trauma & Healing With New Film WaaPaKe

Jules Koostachin talks with Thomas Stoneham-Judge about the making of this very personal documentary and the importance of awareness for the stories of survivors of the Canadian Indian residential school system. She discusses what healing looks like for indigenous descendants, and the significance of this film screening in the US as part of CASCADIA.

Actors Mark Prendergast & Taylor Joree Scorse Discuss Open Casting Calls and Comedy Short Main Character Energy

Mark Prendergast & Taylor Joree Scorse talk with Thomas Stoneham-Judge about working together in this comedy short, and the role their great chemistry and on set experience played in bringing the comedy of the film to life. They also discuss their own experiences with open casting calls – how scary and intimidating they can be, but how those experiences helped shape their career and their engagement with acting.

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