CFTCA Digest: December 2024

Film Reviews

Nosferatu | Reviewed by Marta Djordjevic | Read the full review

“Set aside the fear of the unknown and plunge into the darkness. Stay a while, won’t you? Release what is suppressed and glide through shadowed doorways in a haunting danse macabre, waltzing and writhing across decrepit landscapes. Bathe me in this atmosphere; Robert Eggers has finally gifted us his vision of Nosferatu.”

No Other Land | Reviewed by Eric Zhu | Read the full review

No Other Land has been winning major awards at festivals around the globe, but the film is still without a US distributor for transparently political reasons. No Other Land is a response to the feelings of helplessness that have intensified in the Western world since the beginning of the Israel’s genocidal campaign. This struggle has been ongoing for generations, and resistance is a lifelong project.”

A Complete Unknown | Reviewed by Darren Zakus | Read the full review

A Complete Unknown is an electrifying music biopic exploring Bob Dylan’s career up to the moment he famously went electric, featuring an outstanding cast led by a masterful performance from Timothée Chalamet and brilliant direction from James Mangold, making for one of the year’s best films.”

The Brutalist | Reviewed by Taylor Baker | Read the full review

The Brutalist, more than any other 2024 release, reminds one of the impact musical composition can have on a film. It shows us, or reminds us, of the power, the awe, the bleakness, the desperation, the loneliness, the triumph, and the hope we each have and have yet to experience within ourselves. In Daniel Blumberg’s second at-bat creating a film score, he conjures a well of music that speaks to the soul of our central character, performed expertly by Adrien Brody.”

Armand | Reviewed by Michael Clawson | Read the full review

“Uncovering shades of its characters’ personal lives little by little, the film treats them each like a puzzle whose pieces are steadily being filled in. Not only does this approach fall short in humanizing the characters, but with scene lengths that run way past their expiration time, it’s also quite boring.”

Retrospectives

A24 – Retrospective: The Witch | Listen to the Episode

On the latest installment of Contra Zoom Pod’s A24 retrospective, Dakota Arsenault is joined by Ethan Simmie, the host of ⁠The Movie Draft Podcast⁠ and ⁠24 Minutes of A24, for a discussion of Robert Egger’s 2015 debut, The Witch.

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